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Dvorak & Szymanowski Violin Concertos with Romance - Classical Music CD for Violin Enthusiasts | Perfect for Concerts, Study Sessions & Relaxation
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Dvorak & Szymanowski Violin Concertos with Romance - Classical Music CD for Violin Enthusiasts | Perfect for Concerts, Study Sessions & Relaxation Dvorak & Szymanowski Violin Concertos with Romance - Classical Music CD for Violin Enthusiasts | Perfect for Concerts, Study Sessions & Relaxation Dvorak & Szymanowski Violin Concertos with Romance - Classical Music CD for Violin Enthusiasts | Perfect for Concerts, Study Sessions & Relaxation
Dvorak & Szymanowski Violin Concertos with Romance - Classical Music CD for Violin Enthusiasts | Perfect for Concerts, Study Sessions & Relaxation
Dvorak & Szymanowski Violin Concertos with Romance - Classical Music CD for Violin Enthusiasts | Perfect for Concerts, Study Sessions & Relaxation
Dvorak & Szymanowski Violin Concertos with Romance - Classical Music CD for Violin Enthusiasts | Perfect for Concerts, Study Sessions & Relaxation
Dvorak & Szymanowski Violin Concertos with Romance - Classical Music CD for Violin Enthusiasts | Perfect for Concerts, Study Sessions & Relaxation
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Description
Product Description Despite the relatively short time since the dawn of her international career, which began in 2004, violinist Arabella Steinbacher is already leaving a significant mark on the concert stages and recording studios of the world as of this 2009 recording. She is rapidly proving herself to be an extremely mature, well-developed artist capable of handling the most musically sophisticated compositions in her repertoire. Such is certainly the case with the present performance of Karol Szymanowski's intense, gripping First Concerto. Few violinists tackle this marvelous concerto, but Steinbacher approaches it with every bit as much reverence as is typically given to concertos of Shostakovich or Bartok. What's more, her clear understanding of and unity with the score captures the attention of listeners from the first bar to the last. Her phenomenal technique allows her to focus on maintaining lines, coloring each note, and making sense of Szymanowski's melodic language. The PentaTone album continues with an equally engaging performance of the Dvorák Violin Concerto. Although this concerto is performed with great frequency, Steinbacher's interpretation is energetic and driven, robust without being overly sentimental, and powerful without being forced. Marek Janowski leads the Rundfunk-Sinfonieorchester Berlin in masterful, restrained accompaniments and rich, enthusiastic tuttis. PentaTone's sound, particularly for those listening in 5.1-channel surround sound, is warm, present, and clear. - AllMusic Review Arabella Steinbacher's debut recording for the PentaTone label is a most auspicious one.Although only twenty-eight years old she has already proved herself to be a fully mature artist with wide ranging musical sensibilities, as witnessed by the programmes of her concerts around the world and her recordings of composers as disparate as Beethoven, Berg, Milhaud, Shostakovich and Sibelius. The coupling of the two very different concertos on this SACD further illustrates her versatility and eclectic tastes. Her performance of the Szymanowski's 1st Violin Concerto is exquisitely refined with a rapt inward quality that often gives the impression that she is playing just for her own pleasure rather than for any audience. The formidable challenges of the piece present no difficulty for her either technically or artistically. Steinbacher's luminous playing is matched by the keenly focused accompaniment from the Berlin RSO under their director Marek Janowski and by a recording that captures every detail of Szymanowski's iridescent orchestration and also accommodates the huge orchestral climaxes without a trace of congestion. The engineers have also managed to achieve a well nigh perfect balance between soloist and orchestra. Comparisons with the only other SACD of this work currently available The Pearls of Polish Music - Szymanowski are largely irrelevant as the couplings are so completely different, but if a choice, based purely on the violin concerto, is to be made, then this PentaTone version is the one to go for.After the intoxicating perfume of the Szymanowski, we are calmed by a lovely unaffected performance of Dvorak's Romance in F minor. Arabella Steinbacher's pure cantabile playing and rich tone is complemented by Janowski's reading of Dvorak's 'Andante con moto' marking that presents the music at a flowing speed yet still retains its simple charm.Arabella Steinbacher seems to be just as at home with the soaring melodies and dancing rhythms of Dvorak's substantial violin concerto. She pours out an unending stream of golden tone in the lyrical sections of the first two movements, (which are linked without a break) and throughout one is aware of an engaging rapport between her and the excellent wind soloists of the orchestra. The rondo finale, based on a 'furiant', a Czech folk-dance familiar from those Dvorak used in his Slavonic Dances, allows Arabella Steinbacher to display her virtuosity to the full. Once again the support of Janowski and the Berlin RSO is exemplary.This is undoubtedly one of the finest SACDs to be released from a label that consistently produces outstanding recordings and I have no hesitation in giving it a top recommendation. --SA-CD.net, Graham Williams, November 2009
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Reviews
*****
Verified Buyer
5
Being really addicted to hearing "concert hall realism" in my listening room via 5 channel surround sound recordings by such as PentaTone, Channel Classics, Chandos, BIS, Telarc, and many others (Tudor, Simax, CPO, LSO Live come immediately to mind), I was verging on depression when it was announced that my favorite violinist of all time, Julia Fischer was leaving PentaTone to sign on with Decca. While she may have gained more revenue thereby, it was as if we listeners were tranferred from a Rolls limousine to a 40's Chevy. A well set up 5 channel system playing a properly recorded surround SACD has the unique quality of being able to transport the listener to a fine seat in the concert hall. By comparison, even the best RBCD stereo disc on the finest CD player is hopelessly crippled when it comes to soundstaging.Then PentaTone announced the signing on of Arabella Steinbacher, not said, but ostensibly to replace Julia Fischer. In her notes for the PentaTone "Russian Concertos" disc, Julia wrote that she fell in love with the Khachaturian violin concerto when she was 12 and heard the then 15 yr old Arabella Steinbacher playing it in a concert in Munich. Julia began violin studies with Helga Thelen at age 3 and at age 4 began lessons with Lydia Dubrowskaya. At age 9 she was admitted to the Munich Conservatory. Only one other has ever been admitted at that tender age to conservatory studies with Ana Chumachenko - Arabella Steinbacher, who also began with Helga Thelen at age 3!At the Verbier Music Festival in Switzerland this past summer, Chumchenko was giving master classes. We had just been treated to a performance of Beethoven's Sonata #8 and afterwards I was waiting for a bus outside and chatting with a young German woman who also had attended the masterclass. When I told her that I had heard Arabella play that sonata in March at Middlebury College VT, and then 5 weeks later heard Julia play it in Union College in Schenectady, she was all lit up with questions: Could you tell that they had the same teacher? Could you tell that they were from the same school of violin playing?Last November my wife and I flew from Albany NY to Cincinnati OH to hear Julia play the Dvorak concerto with the Cincinnati Symphony because we realized there would never be a Julia Fischer PentaTone recording of it and no Decca CD will ever come close to mending the loss.Julia is said to particularly favor the Dvorak because her mother is from Czechoslovakia. To quote the newspaper review published the next day, she gave an "uncommonly beautiful" rendition of the concerto. We thought so too!What of Steinbacher's recording? Well, quoting the young woman from the Verbier Festival, "Can you tell that they come from the same school of violin playing?"I was hesitant then to provide a yes-no answer. I said both young artists are individuals. One was not a carbon copy of the other, but that what they seem to have in common is an ability really get the music across - to communicate with the audience in a way to totally involve the listener 100% of the time.Now I see more similarities!Like Fischer, Steinbacher invests the music with absolute commitment. Like Fischer, Steinbacher is an essentially lyrical player with a fine intellectual grasp of what she is playing. But on evidence of this recording, Steinbacher gives us a warmer even more lyrical performance, never sacrificing drama! She phrases broadly but applies microdynamics within a phrase, creating an exceptionally singing interpretation that lacks nothing when intense passionate declamations are called for. Steinbacher makes the Dvorak actually seem even greater than I had imagined.Of the impressionistic sounding Symanowski, I can say that both PentaTone and Steinbacher do it a justice it has never previously received in a recording. The dense orchestration is lucidly reproduced with never a hint of congestion and the violin rides in its highest registers over the loudest passages creating an ethereal wonder world of sound.This, really, is strongly recommended

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